How is a seventh chord built?
Stack three thirds on the root and you have four notes: root, third, fifth, seventh. A triad stops at the fifth; a seventh chord goes one third further. What tells the kinds apart is which of the thirds are major and which are minor. Those choices decide how far the seventh sits above the root: 11 half steps (a major seventh), 10 (a minor seventh) or 9 (a diminished seventh).
| Chord | Symbol on C | Built as | Notes |
|---|---|---|---|
| Major seventh | Cmaj7 | major triad + major 7th | C–E–G–B |
| Dominant seventh | C7 | major triad + minor 7th | C–E–G–B♭ |
| Minor seventh | Cm7 | minor triad + minor 7th | C–E♭–G–B♭ |
| Half-diminished seventh | Cm7♭5 | diminished triad + minor 7th | C–E♭–G♭–B♭ |
| Diminished seventh | Cdim7 | diminished triad + diminished 7th | C–E♭–G♭–B𝄫 |
The names are less odd than they look. “Major seventh” and “minor seventh” name the seventh itself, measured up from the root. “Dominant seventh” is a major triad with a minor seventh, the chord on the fifth degree of a major key. “Half-diminished” is a diminished triad with a minor seventh; “fully diminished” puts a diminished seventh on the same triad, so every third is a minor third.
Which seventh chords belong to a major key?
Build a seventh chord on every note of a major scale using only notes of the scale, and the kinds come out in a fixed order: major seventh, minor seventh, minor seventh, major seventh, dominant seventh, minor seventh, half-diminished. Only the chord on the fifth degree is a dominant seventh, which is why it is the one that sounds like a signpost.
| Degree | Numeral | Symbol in C | Kind |
|---|---|---|---|
| 1 | Imaj7 | Cmaj7 | major seventh |
| 2 | ii7 | Dm7 | minor seventh |
| 3 | iii7 | Em7 | minor seventh |
| 4 | IVmaj7 | Fmaj7 | major seventh |
| 5 | V7 | G7 | dominant seventh |
| 6 | vi7 | Am7 | minor seventh |
| 7 | viiø7 | Bm7♭5 | half-diminished |